{"id":130,"date":"2020-01-29T23:22:37","date_gmt":"2020-01-29T23:22:37","guid":{"rendered":"http:\/\/katemccullough.net\/_k\/?page_id=130"},"modified":"2023-03-02T16:36:35","modified_gmt":"2023-03-02T16:36:35","slug":"work","status":"publish","type":"page","link":"https:\/\/katemccullough.net\/_k\/","title":{"rendered":"WORK"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.1″ background_color=”#212524″ custom_margin=”0px||0px||false|false” custom_padding=”0px||100px||false|false” animation_style=”fade” animation_duration=”0ms”][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.1″ background_color=”#212524″ custom_margin=”||||false|false” custom_padding=”0px||0px||true|false”][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.1″ width=”89%” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” link_option_url=”https:\/\/katemccullough.net\/_k\/cailin-ciuin\/”][et_pb_column type=”2_3″ _builder_version=”4.1″][et_pb_text content_tablet=”<\/p>\n

An cail\u00edn ci\u00fain <\/strong><\/h2>\n

\/ <\/strong><\/span>The Quiet Girl<\/span><\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

COLM BAIREAD<\/span><\/h3>\n

\u00a0<\/p>\n

Oscar nominee Best International Feature Film<\/strong> 2023<\/h4>\n

BAFTA Nominee Film not in the English Language<\/strong> 2023<\/h4>\n

ASC Spotlight Award<\/strong> Nominee 2023<\/h4>\n

European Film Awards Best Cinematography<\/strong> 2022<\/h4>\n

ifta best cinematography<\/strong> 2022<\/h4>\n

” content_phone=”<\/p>\n

An cail\u00edn ci\u00fain <\/strong><\/h2>\n

\/ <\/strong><\/span>The Quiet Girl<\/span><\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

COLM BAIREAD<\/span><\/h3>\n

\u00a0<\/p>\n

Oscar nominee Best International Feature Film<\/strong> 2023<\/h4>\n

BAFTA Nominee Film not in the English Language<\/strong> 2023<\/h4>\n

ASC Spotlight Award<\/strong> Nominee 2023<\/h4>\n

European Film Awards Best Cinematography<\/strong> 2022<\/h4>\n

ifta best cinematography<\/strong> 2022<\/h4>\n

” content_last_edited=”on|phone” disabled_on=”off|off|on” _builder_version=”4.1″ header_2_font=”|||on|||||” header_2_text_color=”#8c8a67″ header_2_font_size=”20px” header_3_font=”|||on|||||” header_3_text_color=”#636d61″ header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#b7bcb9″ header_4_font_size=”9px” background_color=”#714e3b” custom_padding=”25px||20px|10px|false|false” custom_padding_tablet=”90px||0px||false|false” custom_padding_phone=”70px||0px||false|false” custom_padding_last_edited=”on|tablet” header_4_font_tablet=”” header_4_font_phone=”” header_4_font_last_edited=”on|phone” header_4_font_size_tablet=”” header_4_font_size_phone=”11px” header_4_font_size_last_edited=”on|phone” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”off” background_color_gradient_start__hover=”rgba(186,125,96,0.45)” background_color_gradient_end__hover=”rgba(186,125,96,0.55)”]<\/p>\n

An cail\u00edn ci\u00fain <\/strong><\/h2>\n

\/ <\/strong><\/span>The Quiet Girl<\/span><\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

COLM BAIREAD<\/span><\/h3>\n

 <\/p>\n

Oscar nominee Best International Feature Film<\/strong> 2023<\/h4>\n

BAFTA Nominee Film not in the English Language<\/strong> 2023<\/h4>\n

ASC Spotlight Award<\/strong> Nominee 2023<\/h4>\n

European Film Awards Best Cinematography<\/strong> 2022<\/h4>\n

ifta\u00a0best cinematography<\/strong> 2022<\/h4>\n

[\/et_pb_text][et_pb_text disabled_on=”off|off|off” _builder_version=”4.1″ background_image=”https:\/\/katemccullough.net\/_k\/wp-content\/uploads\/2022\/01\/TheQuietGirl_An_Cailin_Ciuin_1_Cait_Catherine_Clinch_sm.jpg” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|382px|0px|false|false” hover_enabled=”0″ border_width_top=”22px” border_color_top=”#714e3b” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(211,162,84,0.28)” background_color_gradient_end__hover=”rgba(186,125,96,0.55)” background_color_gradient_overlays_image__hover=”on”][\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text disabled_on=”on|on|off” _builder_version=”4.1″ header_2_font=”|||on|||||” header_2_text_color=”#8c8a67″ header_2_font_size=”20px” header_3_font=”|||on|||||” header_3_text_color=”#999689″ header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#b7bcb9″ header_4_font_size=”11px” header_4_line_height=”1.3em” background_color=”#714e3b” custom_padding=”25px||122px|10px|false|false” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)”]<\/p>\n

An cail\u00edn ci\u00fain\u00a0<\/strong><\/h2>\n

The Quiet Girl<\/span><\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

COLM BAIREAD<\/span><\/h3>\n

 <\/p>\n

Oscar nominee Best International Feature Film<\/strong> 2023<\/h4>\n

BAFTA Nominee Film not in the English Language<\/strong> 2023<\/h4>\n

ASC Spotlight Award<\/strong> Nominee 2023<\/h4>\n

European Film Awards Best Cinematography<\/strong> 2022<\/h4>\n

ifta\u00a0best cinematography<\/strong> 2022<\/h4>\n

[\/et_pb_text][et_pb_text disabled_on=”on|on|off” _builder_version=”4.1″ background_enable_image=”off” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”||0px||false|false” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(211,141,27,0.28)” background_color_gradient_end__hover=”rgba(204,103,40,0.3)” background_color_gradient_overlays_image__hover=”on”][\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.1″ background_color=”#212524″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false”][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.1″ width=”89%” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false” link_option_url=”https:\/\/katemccullough.net\/_k\/normal-people\/” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”#2b87da” background_color_gradient_end__hover=”#ef3267″][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text _builder_version=”4.1″ header_font=”|||on|||||” header_2_font=”|||on|||||” header_2_text_color=”#38b5b7″ header_2_font_size=”20px” header_3_font=”|||on|||||” header_3_text_color=”#4d808e” header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#c5cbc8″ header_4_font_size=”11px” background_color=”#3c473f” background_enable_image=”off” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”30px|10px|247px|10px|false|false” custom_padding_tablet=”90px||0px||false|false” custom_padding_phone=”90px||0px||false|false” custom_padding_last_edited=”on|tablet” animation_style=”fade” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”off” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)” background_color_gradient_overlays_image__hover=”on” null__hover=”#97bfa0″ background_color__hover=”#3c473f” background_enable_color__hover=”on” header_text_color__hover_enabled=”on|desktop” header_text_color__hover=”#ffffff” header_2_text_color__hover_enabled=”on|hover” header_2_text_color__hover=”#cccccc”]<\/p>\n

Normal People<\/strong><\/h2>\n

Drama series<\/strong><\/h3>\n

Hettie Macdonald<\/span><\/h3>\n

\u00a0<\/span><\/p>\n

Best Cinematography IFTA 2021<\/span><\/h4>\n

[\/et_pb_text][\/et_pb_column][et_pb_column type=”2_3″ _builder_version=”4.1″][et_pb_text _builder_version=”4.1″ header_2_font=”|||on|||||” header_2_text_color=”#a5d1af” header_2_font_size=”20px” header_3_font=”|||on|||||” header_3_text_color=”#d9e0dd” header_3_font_size=”15px” background_image=”https:\/\/katemccullough.net\/_k\/wp-content\/uploads\/2020\/10\/5b_500-1.jpg” custom_padding=”0px|20px|382px||false|false” custom_padding_tablet=”0px|10px|350px||false|false” custom_padding_phone=”” custom_padding_last_edited=”on|tablet” animation_style=”fade” border_width_top=”22px” border_color_top=”#3c473f” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(169,188,176,0.56)” background_color_gradient_end__hover=”rgba(169,188,176,0.35)” background_color_gradient_overlays_image__hover=”on” null__hover=”#97bfa0″ background_color_gradient_start_position__hover=”0%” background_color_gradient_end_position__hover=”53%”][\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.1″ background_color=”#212524″ custom_margin=”||||false|false” custom_padding=”0px||0px||true|false”][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.1″ width=”89%” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||false|false” link_option_url=”https:\/\/katemccullough.net\/_k\/film-arracht\/”][et_pb_column type=”2_3″ _builder_version=”4.1″][et_pb_text content_tablet=”<\/p>\n

Arracht \/ Monster<\/span><\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

Tom Sullivan<\/h4>\n<\/p>\n

IFTA Cinematography Nominee 2020<\/h4>\n

Cinematographers’ Debut Competition Energa CAMERIMAGE 2020<\/h4>\n

” content_phone=”<\/p>\n

Arracht \/ Monster<\/span><\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

Tom Sullivan<\/span><\/h3>\n

\u00a0<\/p>\n

IFTA Cinematography Nominee 2020<\/h4>\n

Cinematographers’ Debut Competition Energa CAMERIMAGE 2020<\/h4>\n

” content_last_edited=”on|phone” disabled_on=”off|off|on” _builder_version=”4.1″ header_2_font=”|||on|||||” header_2_text_color=”#6eb794″ header_2_font_size=”20px” header_3_font=”|||on|||||” header_3_text_color=”#536d6b” header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#c5cbc8″ header_4_font_size=”11px” background_color=”#273a3a” custom_padding=”90px||0px|10px|false|false” custom_padding_tablet=”||0px||false|false” custom_padding_phone=”||0px||false|false” custom_padding_last_edited=”on|tablet” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(186,125,96,0.45)” background_color_gradient_end__hover=”rgba(186,125,96,0.55)”]<\/p>\n

Arracht \/ Monster<\/span><\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

Tom Sullivan<\/h4>\n

 <\/p>\n

IFTA Cinematography Nominee 2020<\/h4>\n

Cinematographers’ Debut Competition Energa CAMERIMAGE 2020<\/h4>\n

[\/et_pb_text][et_pb_text disabled_on=”off|off|off” _builder_version=”4.1″ background_image=”https:\/\/katemccullough.net\/_k\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-08-19-at-13.44.27.jpg” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|382px|0px|false|false” border_width_top=”22px” border_color_top=”#273a3a” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(211,162,84,0.28)” background_color_gradient_end__hover=”rgba(186,125,96,0.55)” background_color_gradient_overlays_image__hover=”on”][\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text disabled_on=”on|on|off” _builder_version=”4.1″ header_2_font=”|||on|||||” header_2_text_color=”#6eb794″ header_2_font_size=”20px” header_3_font=”|||on|||||” header_3_text_color=”#aebaae” header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#c5cbc8″ header_4_font_size=”11px” background_color=”#273a3a” custom_padding=”25px||210px|10px|false|false” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)”]<\/p>\n

Arracht \/\u00a0<\/strong>Monster<\/strong><\/span><\/h2>\n

Drama<\/strong><\/h3>\n

Tom Sullivan<\/h3>\n

 <\/p>\n

IFTA Cinematography Nominee 2020<\/h4>\n

Cinematographers’ Debut Competition<\/h4>\n

Energa CAMERIMAGE 2020<\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.1″ background_color=”#212524″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false”][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.1″ width=”89%” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false” link_option_url=”https:\/\/katemccullough.net\/_k\/i-dolours\/”][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text _builder_version=”4.1″ header_font=”|||on|||||” header_2_font=”|||on|||||” header_2_text_color=”#c67439″ header_2_font_size=”20px” header_3_font=”|||on|||||” header_3_text_color=”#564943″ header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#969b98″ header_4_font_size=”11px” background_color=”#16110a” background_enable_image=”off” custom_padding=”25px|10px|253px|10px|false|false” custom_padding_tablet=”90px||0px||false|false” custom_padding_phone=”90px||0px||false|false” custom_padding_last_edited=”on|tablet” animation_style=”fade” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)” background_color_gradient_overlays_image__hover=”on” null__hover=”#97bfa0″]<\/p>\n

I, Dolours<\/strong><\/h2>\n

Documentary<\/strong><\/h3>\n

Maurice Sweeney<\/span><\/h3>\n

 <\/p>\n

GOLDEN FROG DOCUDRAMA CAMERIMAGE 2018<\/h4>\n

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The Farthest<\/strong><\/h2>\n

Documentary<\/strong><\/h3>\n

EMER REYNOLDS<\/span><\/h3>\n

 <\/p>\n

EMMY AWARD WINNER\u00a02018<\/h4>\n

EMMY LIGHTING + DESIGN NOMINEE 2018<\/h4>\n

[\/et_pb_text][et_pb_text disabled_on=”off|off|off” _builder_version=”4.1″ background_image=”https:\/\/katemccullough.net\/_k\/wp-content\/uploads\/2020\/02\/SS15_THE_FARTHEST.jpg” custom_margin=”0px|0px|0px|0px|false|false” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|desktop” custom_padding=”0px|0px|382px|0px|false|false” border_width_top=”22px” border_color_top=”#232935″ background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(181,163,94,0.27)” background_color_gradient_end__hover=”rgba(145,96,43,0.78)” background_color_gradient_overlays_image__hover=”on”][\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text disabled_on=”on|on|off” _builder_version=”4.1″ header_2_font=”|||on|||||” header_2_text_color=”#73a1d6″ header_2_font_size=”20px” header_3_font=”|||on|||||” header_3_text_color=”#7b827b” header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#afb5b2″ header_4_font_size=”11px” background_color=”#232935″ custom_padding=”25px||231px|10px|false|false” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)”]<\/p>\n

The Farthest<\/strong><\/h2>\n

Documentary<\/strong><\/h3>\n

EMER REYNOLDS<\/span><\/h3>\n

 <\/p>\n

EMMY AWARD WINNER\u00a02018<\/h4>\n

EMMY LIGHTING + DESIGN NOMINEE 2018<\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.1″ background_color=”#212524″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false”][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.1″ width=”89%” custom_margin=”0px|auto|0px|auto|false|false” custom_padding=”0px||0px||true|false” link_option_url=”https:\/\/katemccullough.net\/_k\/film-his-and-hers\/”][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text disabled_on=”off|off|off” _builder_version=”4.1″ header_font=”|||on|||||” header_2_font=”|||on|||||” header_2_text_color=”#d39292″ header_2_font_size=”20px” header_2_line_height=”1.2em” header_3_font=”|||on|||||” header_3_text_color=”#777a79″ header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#aaaaaa” header_4_font_size=”11px” background_color=”#3d3b34″ background_enable_image=”off” custom_padding=”30px|10px|243px|0px|false|false” custom_padding_tablet=”90px||20px||false|false” custom_padding_phone=”90px||20px||false|false” custom_padding_last_edited=”on|desktop” animation_style=”fade” background__hover_enabled=”on|hover” background_color__hover=”#3d3b34″ background_enable_color__hover=”on” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)”]<\/p>\n

His & Hers<\/strong><\/h2>\n

documentary<\/strong><\/h3>\n

KEN WARDROP<\/span><\/h3>\n

 <\/p>\n

BEST CINEMATOGRAPHY SUNDANCE 2010<\/h4>\n

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Songs for While I’m Away<\/strong><\/h2>\n

Documentary<\/strong><\/h3>\n

EMER REYNOLDS<\/span><\/h3>\n

 <\/p>\n

GCT Award UK 2022<\/h4>\n

[\/et_pb_text][et_pb_text disabled_on=”on|on|off” _builder_version=”4.1″ background_image=”https:\/\/katemccullough.net\/_k\/wp-content\/uploads\/2020\/09\/Screen-Shot-2020-08-18-at-19.23.57_x.jpg” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|382px|0px|false|false” border_width_top=”22px” border_color_top=”#2f2633″ border_radii_tablet=”” border_radii_phone=”” border_radii_last_edited=”on|phone” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(186,125,96,0.24)” background_color_gradient_end__hover=”rgba(142,49,32,0.48)” background_color_gradient_overlays_image__hover=”on”][\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text disabled_on=”on|on|off” _builder_version=”4.1″ header_2_font=”|||on|||||” header_2_text_color=”#cc4f60″ header_2_font_size=”20px” header_3_font=”|||on|||||” header_3_text_color=”#4b6977″ header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#c5cbc8″ header_4_font_size=”11px” background_color=”#2f2633″ custom_padding=”25px||252px|10px|false|false” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)”]<\/p>\n

Songs for While I’m Away<\/strong><\/h2>\n

Documentary<\/strong><\/h3>\n

EMER REYNOLDS<\/span><\/h3>\n

 <\/p>\n

GCT Award <\/span>UK 2022<\/h4>\n

[\/et_pb_text][et_pb_text disabled_on=”off|off|on” _builder_version=”4.1″ background_image=”https:\/\/katemccullough.net\/_k\/wp-content\/uploads\/2020\/02\/SS_songs_for_while_im_away_x_550.jpg” custom_padding=”||350px||false|false” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(178,96,83,0.36)” background_color_gradient_end__hover=”rgba(142,21,0,0.81)” background_color_gradient_overlays_image__hover=”on”][\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.1″ background_color=”#212524″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false”][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.1″ width=”89%” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false” link_option_url=”https:\/\/katemccullough.net\/_k\/film-blood\/”][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text disabled_on=”off|off|on” _builder_version=”4.1″ header_font=”|||on|||||” header_2_font=”|||on|||||” header_2_text_color=”#83a563″ header_2_font_size=”20px” header_2_line_height=”1.2em” header_3_font=”|||on|||||” header_3_text_color=”#777153″ header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#a5aaa8″ header_4_font_size=”14px” background_color=”#2d2a23″ background_enable_image=”off” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”90px|10px|20px|0px|false|false” animation_style=”fade” background__hover_enabled=”on|hover” background_color__hover=”#7c7b84″ background_enable_color__hover=”on” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)”]<\/p>\n

Blood<\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

Lisa Mulcahy<\/h4>\n

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Blood<\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

Lisa Mulcahy<\/span><\/h3>\n

Hannah Quinn<\/h4>\n

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Users<\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

JAKOB PIATEK<\/h4>\n

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Users<\/strong><\/h2>\n

Drama<\/strong><\/h3>\n

JAKOB PIATEK<\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.1″ background_color=”#212524″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false”][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.1″ width=”89%” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false” link_option_url=”https:\/\/katemccullough.net\/_k\/film-blood-sisters\/”][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text disabled_on=”off|off|on” _builder_version=”4.1″ header_font=”|||on|||||” header_2_font=”|||on|||||” header_2_text_color=”#92cea3″ header_2_font_size=”20px” header_2_line_height=”1.2em” header_3_font=”|||on|||||” header_3_text_color=”#739385″ header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#a8adaa” header_4_font_size=”14px” background_color=”#464933″ background_enable_image=”off” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”90px|10px|20px|0px|false|false” animation_style=”fade” background__hover_enabled=”on|hover” background_color__hover=”#7c7b84″ background_enable_color__hover=”on” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(247,153,2,0.38)” background_color_gradient_end__hover=”rgba(244,159,48,0.18)”]<\/p>\n

Blood Sisters<\/strong><\/h2>\n

Documentary<\/strong><\/h3>\n

MALIN ANDERSSON<\/h4>\n

[\/et_pb_text][et_pb_text disabled_on=”on|on|off” _builder_version=”4.1″ header_font=”|||on|||||” header_2_font=”|||on|||||” header_2_text_color=”#92cea3″ header_2_font_size=”20px” header_2_line_height=”1.2em” header_3_font=”|||on|||||” header_3_text_color=”#739385″ header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#a8adaa” header_4_font_size=”14px” background_color=”#464933″ background_enable_image=”off” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”25px|10px|295px|0px|false|false” animation_style=”fade” background__hover_enabled=”on|hover” background_color__hover=”#464933″ background_enable_color__hover=”on” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)”]<\/p>\n

Blood Sisters<\/strong><\/h2>\n

Documentary<\/strong><\/h3>\n

MALIN ANDERSSON<\/h4>\n

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Mom & Me<\/strong><\/h2>\n

Documentary<\/strong><\/h3>\n

Ken Wardrop<\/h4>\n

[\/et_pb_text][et_pb_text _builder_version=”4.1″ background_image=”https:\/\/katemccullough.net\/_k\/wp-content\/uploads\/2020\/02\/Mon_and_Me_2_550a.jpg” custom_margin=”0px|0px|0px|0px|false|false” custom_padding=”0px|0px|382px|0px|false|false” border_width_top=”22px” border_color_top=”#354d51″ border_radii_tablet=”” border_radii_phone=”” border_radii_last_edited=”on|desktop” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(19,50,86,0.32)” background_color_gradient_end__hover=”rgba(193,149,77,0.82)” background_color_gradient_overlays_image__hover=”on”][\/et_pb_text][\/et_pb_column][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text disabled_on=”on|on|off” _builder_version=”4.1″ header_2_font=”|||on|||||” header_2_text_color=”#6b9ea5″ header_2_font_size=”20px” header_3_font=”|||on|||||” header_3_text_color=”#739383″ header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#c5cbc8″ header_4_font_size=”14px” background_color=”#354d51″ custom_padding=”25px||299px|10px|false|false” background__hover_enabled=”on|hover” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)”]<\/p>\n

Mom & Me<\/strong><\/h2>\n

Documentary<\/strong><\/h3>\n

Ken Wardrop<\/h4>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.1″ background_color=”#212524″ custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false”][et_pb_row column_structure=”1_3,2_3″ use_custom_gutter=”on” gutter_width=”1″ make_equal=”on” _builder_version=”4.1″ width=”89%” custom_margin=”0px||0px||false|false” custom_padding=”0px||0px||true|false” link_option_url=”https:\/\/katemccullough.net\/_k\/film-loving-lorna\/”][et_pb_column type=”1_3″ _builder_version=”4.1″][et_pb_text disabled_on=”off|off|off” _builder_version=”4.1″ header_font=”|||on|||||” header_2_font=”|||on|||||” header_2_text_color=”#82bf95″ header_2_font_size=”20px” header_2_line_height=”1.2em” header_3_font=”|||on|||||” header_3_text_color=”#7c846f” header_3_font_size=”16px” header_4_font=”|||on|||||” header_4_text_color=”#c5cbc8″ header_4_font_size=”14px” background_color=”#4a543e” background_enable_image=”off” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|phone” custom_padding=”25px|10px|295px|0px|false|false” custom_padding_tablet=”90px|10px|20px|0px|false|false” custom_padding_phone=”90px||||false|false” custom_padding_last_edited=”on|tablet” animation_style=”fade” background__hover_enabled=”on|hover” background_color__hover=”#4a543e” background_enable_color__hover=”on” use_background_color_gradient__hover=”on” background_color_gradient_start__hover=”rgba(0,0,0,0)” background_color_gradient_end__hover=”rgba(0,0,0,0)” background_color_gradient_overlays_image__hover=”on”]<\/p>\n

Loving Lorna<\/strong><\/h2>\n

Documentary<\/strong><\/h3>\n

ANNIKA + JESSICA KARLSSON<\/h4>\n

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